The Male Gaze and ‘Gigi’

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However, the film musical is very different, dividing the women and telling the story from a male gaze, making it a romance instead of a story of female survival.

‘Garfunkel and Oates’ and the Sea Change for Women in Comedy

Kate Micucci and Riki Lindholme are Garfunkel and Oates.

You probably know Garfunkel and Oates from their funny songs on YouTube, but you might have missed the eight-episode series they had last summer on IFC (I’m guessing most people did, because it got cancelled). But the series is now available on Netflix Streaming, and it is just the right level of quality where you’ll be happy you watched it but not miserable that there won’t be any more episodes.

It’s also an interesting study on some of the issues facing (caps-for-seriousness) “Women in Comedy.”

Tribeca Reviews: Lost Children in ‘Meadowland’ and ‘The Armor of Light’

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In a close-up Sarah takes a piece of a (year-old) cookie that is trapped deep in the car seat and puts it in her mouth, like a communion wafer: she closes her eyes and, for the first time since before her son went missing, we see her face smooth, for a moment, into bliss. The only other time we see her free from tension and sorrow, is when, in another stunning shot, this one on a rooftop, she states with great confidence, “My son is alive.”

‘The Wolfpack’ Brothers Walk the Red Carpet at the Tribeca Film Festival

Wolfpack director Crystal Moselle

Six brothers spent their lives cloistered inside a messy Lower East Side tenement in Manhattan where only their father had the key. Only once or twice a year were they allowed outside their claustrophobic apartment, subsidized by welfare checks their mother received from home schooling them. They spent the day watching movies. This went on for years and years. This is not the subject of some horror film. It’s a stranger-than-fiction story that is the subject of documentary, ‘The Wolfpack.’

One to Watch Out For: HBO’s ‘Bessie’

A portrait of Bessie Smith by Carl van Vechten

There is, nevertheless, something magical about Bessie’s life and career. How did an impoverished, orphaned Black girl who spent her childhood singing on the streets not only survive but succeed in a land that still lynched its Black citizens? There is something profoundly modern and heroic about the woman herself. An independent woman with attitude and talent, she has to be one of the most charismatic feminist icons of the 20th century.

“Men’s Vows Are Women’s Traitors”: Helen Mirren Runs the Chastity Gauntlet in Shakespeare’s ‘Cymbeline’

Helen Mirren rocks. Just sayin'.

After recalling his greatest tragedies, Shakespeare suggests that all could end well, if men loved without defensive cowardice. “Some griefs are med’cinable.” Rising to such newfound greatness of heart, King Cymbeline describes himself as becoming “mother.” William Shakespeare: feminist punk?

The “Threatening” Aspects of ‘The Bletchley Circle’

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This show doesn’t say that all women should not be kidnapped, murdered, and raped. It says White cisgender heterosexual women, particularly ones who are young, skinny, and meet current White cultural expectations of beauty, should not be kidnapped, murdered, and raped. While the show was not cancelled after its first season, the second season showed more “nice guy” characters, probably to placate White male viewers who had a problem with the basics of White feminism depicted in the first season.

‘Taken 1, 2, and 3′: Modern Masculinity Meets Modern Fatherhood

The Taken films are really about Bryan’s relationship with his daughter

When looked at as a trilogy, the ‘Taken’ films are all about Bryan’s relationship with his daughter as she becomes a woman and he is no longer sure how to relate to her. It’s a common real life situation writ large, and a wholly unexpected through-line for an action franchise.

Seed & Spark: Being Bossy, Unbreakable, and Daring Greatly

Behind the scenes of making the teaser video for The Average Girl’s Guide to Suicide.

But as Sheryl Sandberg’s Ban Bossy campaign states, “When a little boy asserts himself, he’s called a ‘leader.’ Yet when a little girl does the same, she risks being branded ‘bossy.’” As a 28-year-old, I can vouch that it’s not just little girls that are affected by “bossy.” I’m trying to Ban Bossy in my own brain (or accept that I am a boss and it’s OK if I’m “bossy”) and it got me thinking about our society’s gender expectations and how they can hold all of us back.

‘Dogtooth': The Blindfold of Socialization

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By introducing the audience to a tight-knit family with a very peculiar upbringing, the film allows a glimpse into socialization, explores gender politics, and shows how art can lead to individualism.

Stop Leaving Money on the Table: Change Who’s Sitting At It

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Men are spoilt for choice; women are starved. Targeting women is like selling ice to a Bedouin, during a heatwave, in a particularly bad year for the ice harvest. Quality content for women has scarcity value.

‘Peace Pilgrim': A Tribute to an American Heroine of Non-Violence

On her journey

We need more documentaries and movies about the lives of pilgrims and activists of non-violence. We also need to be reminded of their power and diversity.