In many ways, Gus Van Sant’s ‘My Own Private Idaho’ is a film about duality, weaving together conflicting stories about love, family and the inescapable lure of home, even when it is a place you can never go back to again. And that duality also lends itself heavily to the sexual identities of the film’s main characters, Mike and Scott, two street hustlers with opposite views of their own bisexuality…
Against a backdrop of a television landscape lacking in queer representation (especially queer women of color) emerged Callie Torres’ anxious and exciting adventure of self-discovery. … Callie Torres is a fully fleshed out resilient, sensitive, complex, and unapologetic bisexual Latinx woman. … Callie’s journey was an iconic one that helped to not only change television, but to cement the oft forgotten notion that bisexuality is very real.
The overall implication here is that the bisexuality of a female character is inspired by the male character. Where is the bisexual character’s free will? In fact, where is her bisexuality? All of these films have one thing in common, which is that the sexuality of the character exists to cause strife between the straight man and the lesbian woman that pursues them, and always ends up siding one way or the other.
The creator and showrunner of this popular, groundbreaking, and beautiful show is an openly bisexual woman. That is historic and thrilling, and it means that could be me (alas, if only I could write something half as brilliant as ‘Steven Universe’!). … Yes, we need bisexual characters. But even more importantly, we need bisexual creators telling stories…
This scene, a scene in which an assumed-to-be heterosexual protagonist casually courts another woman, is significant because Sarah is one of three queer women – two of whom are bi – on a single television show, each of whom experiences their queerness differently. … Sarah, Cosima, and Delphine are three very different women with different narratives, inhabiting their queerness in three disparate ways.
The possibility existed to use season 3 to explore the sexual identity of three very central female characters in this show. Buffy could have been questioning; Faith could have been explicitly bisexual rather than simply implying as much through very sexually-charged dialogue with Buffy; Willow could have started exploring her sexuality earlier to arrive at a more self-aware place, whether that was as a bisexual woman or a lesbian.
So were bisexual people portrayed positively? Maybe. What we have to consider in the judgment of this question is the context of both the representation of bisexuality in the script, and the way bisexuality was treated at the time the script was adapted to the screen. … After it’s all said and done, Cabaret has aged fairly well in terms of the portrayal of its LGBTQ characters.
Maureen is worth a second look, particularly at a time in which bisexual women and lesbians are routinely ignored, left out, and killed in television and film. … ‘Rent’ repeatedly comments on Maureen’s apparently untamed sexuality. In “Tango: Maureen,” Joanne wonders if Maureen became involved with other men while dating Mark. Mark confirms these suspicions and Joanne also admits that Maureen cheated on her, suggesting that one person cannot satisfy Maureen’s sexual appetite — a common myth about bisexual people is that they cannot be monogamous.
Bisexuality is commonly erased in the media, despite there being many examples of characters attracted to multiple genders.
From the gender-neutral, Alien-fighting Ellen Ripley, to the deadpan Vulcan Mr. Spock, to whiny Jedi Master Luke Skywalker (yes, that Luke), the genders of some of our best-loved characters have actually been swapping around for decades behind the scenes. The difference with ‘Ghostbusters’ is that – as a remake – the swap was public knowledge, thus inviting the barrage of misogynistic grumbling that flooded the internet.
Making a DVD is fairly easy! I’ve done this loads of times before! All you need is a menu, a ProRes file, and DVD Studio Pro. Then you burn to your heart’s desire. Shouldn’t take me more than a few weeks to get these all finished, right? Wrong. I was so wrong! But now I’m a pro, and I’m going to tell you how to be one too.
Most people (rightly) expect more from art than they do from porn; we expect art to offer a perspective or point of view, to have a message, to be more than a spectacle to press the pleasure centers of our brains. … And, while I don’t think it’s wrong to say that ‘Fifty Shades of Grey’ fares pretty poorly as art, I do think it’s wrong to single it out, as if our cinemas aren’t full of spectacle already.