From the thousands of immigrant stories that could have been told, that Hollywood chose a heterosexual love story between two white Westerners in the 1950s is telling — that critics and audiences have lauded and lavished it with praise is even more so.
‘The Danish Girl’ and ‘Tangerine’ collide in their allusion to the notions of gender identity, gender expression and beauty in conversations about trans women. But ‘Tangerine’ takes that necessary next step by centering and humanizing the lives of trans women, which ‘The Danish Girl’ pointedly fails to do.
The potency of ‘Carol’ struck me. I found myself hopelessly enraptured by the film’s meticulously flawless and at times excruciatingly realistic depiction of the ineffability that typifies so much of the queer experience. … The film pinpoints and satiates that pulsating, unspeakable longing that I (and I know countless others) have felt too many times.
Over the past decade, Carrie Fisher has been outspoken about her struggles with bipolar disorder and addiction. Her admissions are profound for a Hollywood actress of her caliber, especially when you consider the ways that society stigmatizes mental illness.
The result is that while many viewers are no doubt cishet white men, few will truly identify with what Kilgrave illustrates not just about rapists and abusers, but about negative ideas about masculinity itself.
If only ‘Carol’ the much lauded movie from director Todd Haynes (adapted by Phyllis Nagy from Patricia Highsmith’s novel ‘The Price of Salt’) were as good as its trailer, a one minute ten second masterpiece of close-ups, pitch-perfect period detail and barely contained emotion.
In fact, it made me even more upset at the fact that one hundred years later, we may have the vote but women are still facing inequality, sexual harassment, unequal pay, and poor conditions in the workplace. … I wasn’t expecting to be as taken aback by just how little has changed since the period ‘Suffragette’ is set. …It made me realize we need [feminism] more than ever.
Check out all of the 2016 Academy Award nominations with links to our reviews and articles providing feminist commentary!
Check out what we have been reading this week — and let us know what you have been reading/writing in the comments!
Let’s All Calm Down for a Minute About ‘The Hateful Eight’: Analyzing the Leading Lady of a Modern Western
In an action movie, violence is due to befall all characters. Is violence against any female character inherently woman-hating, inherently misogynist? … It’s possible that subconscious sexism makes people quick to see her as a victim, and then criticism of the trope of women as victims may be getting in the way of seeing the agency and complexity of a character like Daisy Domergue.
Writer/Director/Actress and Moonfaze Film Festival Founder Premstar Santana has taken on the challenge of not waiting for Hollywood to feature feminist cinema. She is creating the platform that elevates feminist viewpoints from marginalized voices that rarely get the opportunity to shine.
If ever there was a personification of this psychological abuse that goes along with physical abuse, it’s in Kilgrave. … He gaslights Jessica, telling her it’s her fault he uses his powers to make people do things they don’t want to do, namely kill others and themselves.