imdb synopsis: A newly possessed cheerleader turns into a killer who specializes in offing her male classmates. Can her best friend put an end to the horror?
The question is, ladies and gents, do you think Cody and Kusama can pull this off? Is the male-targeted marketing going to turn off any women who might otherwise be tempted to see it? Or, for that matter, what about folks who are tired of the ubiquitous Megan Fox?
I highly recommend checking out this entire article, as it includes quotes from Diablo Cody (a self-professed feminist) who talks about why Jennifer’s Body is, in fact, feminist, referencing the film’s girl-on-girl crime and how the film deals with the issue of eating disorders.
Miller’s article also brings up Carol J. Clover’s “Final Girl” theory, which we discussed in our preview for Sorority Row:
She argues in her book Men, Women and Chainsaws: Gender in the Modern Horror Film, that slasher films are obsessed with feminism in that they force male viewers to identify with the Final Girl, the one lone girl who doesn’t die, who gets her shit together, who kills the killer.
I’d like to see this movie really satirize the new gratuitous torture-porn reawakening of the horror/slasher genre. I’d like to see this movie really poke fun at the Sexy Megan Fox Hollywood Male Fantasy Goddess trope. I mean, it involves man-eating. Literally. But the unironic male-targeted marketing (Hey boys, check out the Sexy Megan Fox Hollywood Male Fantasy Goddess!) does seem, you know, problematic in terms of entirely pulling off a feminist satire of slasher films.
Be sure to check out Shakesville’s discussion of Jennifer’s Body, where Liss references the New York Times Article, “Taking Back the Knife: Girls Gone Gory,” which also mentions Carol J. Clover’s “Final Girl” theory. And, watch the trailer at the Bust Magazine blog. A great discussion takes place in the comments section: I Know What Boys Like, I Know What Guys Want.