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| Noomi Rapace (Dr. Elizabeth Shaw) in Prometheus |
A pseudo-prequel to Alien,
Prometheus raises existential themes
of religion, god, faith, science, creation, mythology and evolution. While these are all worthy topics, I’m much more interested in
Prometheus’ treatment of its female characters and its commentary on reproduction. Is director Ridley Scott’s new
film a pro-choice metaphor advocating reproductive justice?
I was ridiculously excited to see Prometheus. As I’ve shared before, Lt. Ellen Ripley was my icon
growing up…as she was for many of us. And Scott admittedly loves showcasing strong, intelligent female leads.
Here the incredibly skilled Noomi Rapace plays the female protagonist Dr. Elizabeth
Shaw, an archaeologist guided by her curiosity and buoyed by her religious
faith. She and her colleague/partner Charlie Holloway discover caves with paintings
signifying our creators or “Engineers” as they call them. When corporate
Weyland Industries (a pre-cursor to Alien’s
Weyland-Yutani) funds their expedition, they go in search of the beginning of
humanity…with horrifying consequences.
[...]
[...]
Patriarchy perpetuates rape culture and infringes on reproductive rights. Alien centered on rape
and men’s fear of female reproduction. Littered with vaginal-looking aliens
and phallic xenomorphs violating victims orally, these themes resurface. But
this time around, Scott’s latest endeavor also adds abortion and infertility. As
ThinkProgress’ Alyssa Rosenberg asserts,
Prometheus bolsters the Alien Saga’s themes of “exploration of
bodily invasion and specifically women’s bodily autonomy.”
[...]
[...]
But David doesn’t want her to have an abortion, insisting
she be put in stasis and trying to restrain her. Like Ash in Alien, it appears David had an agenda to
try and keep the creature inside Shaw alive. David tries to thwart Shaw’s
agency and bodily autonomy, forcing her to remain pregnant. Hmmm, sounds eerily
similar to anti-choice Republicans with their invasive and oppressive legislation
restricting abortion. No one has the right to tell someone what to do with their body.

1 comment:
Ridley Scott loves showcasing strong, intelligent female leads? No wonder he optioned rights to Hugh Howey's WOOL.
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