With ‘The Eyes of My Mother,’ writer-director Nicolas Pesce explores the nature of human instinct and arrested development in a way that is uncomfortable to watch yet immersive just the same.
Closer to sirens than friendly flounders these creatures lure men to their deaths and feast on their flesh. … Deadly mermaids, Eastern European pop music, and crushing dreams may not initially seem like a wonderful combination, but The Lure mixes these elements together beautifully.
Rochelle was the social outcast with the other handful of social outcasts of St. Bernard Academy, sure. But how do we cinematize the Black girl outcast teenager that many of us felt like? That just so happens to be a practicing witch? Much of what can be read of Rochelle relies heavily on those of us whom she meant so much to.
Alice Lowe’s ‘Prevenge’ is in some ways a modernized version of ‘Rosemary’s Baby.’ … Throughout the course of history, and especially in Trump’s America, baby always comes first. Our government cares more about fetuses than it does about living, breathing women. This chills me to the core more than a scary movie ever could.
“They just assume I’m an actress. They would never assume that I directed it or made the film myself.” That’s the assumption that women-centric horror film festivals intend to quash. They’re also, as Women in Horror Film Festival (WIHFF) co-director and filmmaker Samantha Kolesnik said, a growing platform for “equal representation” in all aspects of film production.
What writer/director Julia Ducournau does with ‘Raw’ is use the traditional tropes of body horror to tell the story of one young woman’s awakening. … It’s frightening and disturbing, as coming of age often is. … By filtering this all-too-common struggle through the extreme lens of cannibalism, Ducournau highlights the absurdity inherent in how women’s bodies and desires are policed.
‘Metropolis’ and ‘Ex Machina’ are merely the oldest and one of the most recent examples, respectively, in a long line of films (and texts) that associate women with technology in this manner, presenting them as potent and potential threats to societal order and to the men who create and aim to control them.
This powerhouse series is led by Niecy Nash, who has finally been given the leading lady role she deserves. … The friendship and loyalty between these five women places this show in a long legacy of TV shows about female friendship, from ‘Sex and the City’ to ‘The Bold Type,’ but it handles itself in a much more realistic manner — it isn’t afraid to call out their flaws just as it highlights their strengths.
The problem presented by both ‘Dollhouse’ and ‘iZombie’ is that of the “Chameleon Woman.” Both Echo and Liv carry the metaphor of the expectation that women adapt based on the needs and desires of others. However, both TV series point to this societal issue with two very different takes.
An unexpected gem directed by Daisy Asquith, the documentary outlines the milestones, setbacks, stigma, and celebrations of the LGBTQ movement in the UK from 1919 to the present. It incorporates electro beats, limited dialogue, and some steamy scenes, cut with cards detailing important milestones for the LGBTQ community. … Though much as the majority of queer history is persecution, oppression, and erasure, ‘Queerama’ is a strangely joyful monument to it all.
Our theme week for October 2017 will be Women in Horror. Horror films have long been analyzed and critiqued for both their feminist and misogynist themes… With so many women protagonists and explorations of primal emotions, there is a lot to unpack regarding gender and horror.
In reclaiming the era, Kelly Reichardt created a representation that centers the experiences of those not served by the traditional Western. A view of the life of women divorced from the patriarchal lens, a view of the treatment of Native Americans divorced from the lens of white supremacy.