Motherhood and Monsters in 'Under The Shadow'
Suturing Selfhood: 'American Mary' and the Unconventional Feminine Repossession of Self
On Our Terms: A Black [Women's] Horror Film Aesthetic
'The Lure' Fills the Mermaid Shaped Hole in My Heart
20 Years of 'The Craft': Why We Needed More of Rochelle
'Rosemary’s Baby,' 'Prevenge,' and the Evils of the Trump Administration
All the Rage: Women-Led and Women-Centric Horror Film Festivals
'Raw' and Coming of Age via Cannibalism
We Need To Talk About 'Claws': The TV Series We Need and Deserve
'Queerama': A Tapestry of Queer British History
Kelly Reichardt's 'Meek’s Cutoff': The Camera's Relationship to Characters and Power
Amma Asante Shows that Period Films Can (and Should) Center Black People
Amy Heckerling: A Retrospective on Her Filmmaking Career and Her Perspectives on Women in Hollywood
Vintage Viewing: Marion E. Wong, Energetic Entrepreneur
Why 'Eve’s Bayou' Is a Great American Art Film
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