Chloë Grace Moretz
‘Neighbors 2’ doesn’t explicitly state that sororities are misogynist, but the goal of the alternative sorority (essentially an all-female share house, right?) at its center to create a space where the women can make their own fun outside of the patriarchy — that wants them to be well behaved and perform their sexuality for men — is feminist, whether the movie states it or not.
Lynn Shelton’s best known films, the great ‘Humpday’ and the equally delightful ‘Your Sister’s Sister’ stood out in a similar way. Shelton devised and wrote scripts that became the basis for the actors’ improvisation (with the ‘”‘final draft’ put together in the editing room”)–and made films that seemed fresh and distinct from the usual Hollywood product. Each film had a surprisingly tight structure and was funny in ways that never occured to mainstream filmmakers. As I sat through Shelton’s latest movie, ‘Laggies,’ (which opens this Friday, Oct. 24) I couldn’t help feeling deflated. Shelton’s transformation into a mainstream director is a little like if Bergman had had second thoughts and ended up going on a diet and let Hollywood makeup artists make her unrecognizable.
Like most horror films, prom horror is about teenage girls and what they chose to do with their bodies. As a culture, it’s a topic we find truly terrifying.
We’re taught to think of prom night is an important moment, as a signifier for burgeoning, barely contained sexuality and transformation. It’s the night good girls become bad girls, shy girls reveal their hidden confidence, and ugly girls shed their glasses or comb their hair and look almost beautiful, imperceptible from their peers.
Most feminist criticism of Stephen King’s Carrie has focused on the male fear of powerful women that the author said inspired the film, with the anti-Carrie camp finding her death at the end to signify the defeat of the “monstrous feminine” and therefore a triumph of sexism. But Stephen King’s honesty about what inspired his 1973 book notwithstanding, Carrie is as much an articulation of a feminist nightmare as it is of a patriarchal one, with neither party coming out on top.
Piper Laurie and Sissy Spacek (1976 film) This piece is from Monthly Contributor Carrie Nelson. (Warning: Contains spoilers about Stephen King’s Carrie and its film and stage adaptations.) I love Stephen King’s Carrie, and not just because we share the same name. More than anything, I love the way that Carrie honestly explores the tensions […]
Hugo (2011) This cross-post from Scott Mendelson originally appeared at Mendelson’s Memos. Hugo 2011 127 minutes rated PG Pardon my theoretical laziness, but I’m not in the mood to do a formal review for Martin Scorsese’s Hugo. And frankly, since I went in knowing almost nothing aside from the general time period and a few […]
The 2011 MTV Movie Awards aired last night (Sunday, June 5), and something interesting happened: a lot of young women won awards. I didn’t watch the ceremony. I’m too old for MTV, and didn’t even realize the show had happened until I came across a mean-spirited article, published last year, unironically lamenting “Why Twilight Ruined […]