“What’s Next for Horror” Panel and More at C2E2

Get Out

One message reinforced in panels throughout the day — including the “Gender Identity: Understanding Through Art” panel earlier that morning — was best articulated by filmmaker Kellee Terrell: the need for diversity in film. The revelation of ‘Get Out’ sparked a conversation on representation, universal experiences, and relating to what’s on-screen.

Love and Freedom in The Eisenhower Years: ‘All That Heaven Allows’

Poster for All That Heaven Allows

But ‘All That Heaven Allows’ is not just a good-looking, affecting melodrama. It can be enjoyed on many different levels. In both indirect and observable ways, Sirk’s weepie targets oppressive aspects of post-war America. For some time now, both film critics and scholars have, understandably, foregrounded the socio-political uses of Sirk’s powerful, immoderate film-making style, as well as the subversive elements in his melodramas. They, in fact, invite socially and gender-aware readings.