Crime & Mystery

‘The Witch’ Will Transport You to Another World  —  A Beautiful, but Terrifying One

The Witch

‘The Witch’ is proof that when a film is made with utmost care down to the last detail, one can still be transported by it to another world  —  though, in the case of ‘The Witch,’ it is a downright creepy and unpleasant world, and one that I am grateful, as a woman, to not have to live in.

We Need To Talk About ‘Claws’: The TV Series We Need and Deserve

Claws

This powerhouse series is led by Niecy Nash, who has finally been given the leading lady role she deserves. … The friendship and loyalty between these five women places this show in a long legacy of TV shows about female friendship, from ‘Sex and the City’ to ‘The Bold Type,’ but it handles itself in a much more realistic manner — it isn’t afraid to call out their flaws just as it highlights their strengths.

The Chameleon Woman in ‘Dollhouse’ and ‘iZombie’: Personality Swapping and Agency

Dollhouse and iZombie

The problem presented by both ‘Dollhouse’ and ‘iZombie’ is that of the “Chameleon Woman.” Both Echo and Liv carry the metaphor of the expectation that women adapt based on the needs and desires of others. However, both TV series point to this societal issue with two very different takes.

International Women-Directed Films at the 2017 London Feminist Film Festival

Talk Back Out Loud

The London Feminist Film Festival is all about “celebrating international feminist films past and present.” It “will provide a safe space to explore, celebrate, organise, and inspire.” Now in its fifth year, the festival will run from August 17-20.

The Love That’s Really Real: ‘American Psycho’ as Romantic Comedy

American Psycho 4

Although primarily a horror film, ‘American Psycho’ has a satiric backbone that appropriates codes from the romantic comedy genre to expose the absurdities of our gender ideals. Director and co-writer Mary Harron’s lens skewers the qualities we find appealing in romantic comedies as terrifying.

Catherine Tramell in ‘Basic Instinct’ Is a Subversive Anti-Hero

Basic Instinct

The notion of Catherine as a subversive anti-hero develops when you view the film not as a story about the supposed protagonist Detective Nick Curran but as Catherine’s journey from mind games to almost domestic bliss but always returning to her basic instincts which threatens the Hollywood happy ending of established heteronormativity.

In ‘Arrival,’ Amy Adams is the Superhero We Need Right Now

Arrival

‘Arrival’ is yet another in a long line of alien invasion movies, but it’s also so much more than that. It’s the story of a single extraordinary woman who steps up to save the human race, armed with nothing more than her ability to communicate. It’s a story of hope  —  and it’s one that audiences need to hear right now.

‘The Faculty’: Gender, Dialogue, and Naked Alien Space Monsters

The Faculty

How did these male filmmakers make a movie marketed to men full of female characters who actually get the majority of the dialogue? I’m about to crack the code and share the secret — are you ready to become enlightened? Here’s how they did it: They included female characters and gave them lines. WHAT. Yes, it’s that simple.

Trespassed Lands, Transgressed Bodies: Horror, Rage, Rape, and Vengeance Within Indigenous Cinema

Rhymes for Young Ghouls

By forcing the subconscious fears of audiences to the surface, horror cinema evokes reactions psychologically and physically — that is its power. This power can serve and support uncensored Indigenous expression by allowing Indigenous filmmakers the opportunity to unleash dark, unsanitized allegorical representations of the abhorrent, repugnant, violent abomination that is colonization.

The Threat of Feminine Power in ‘The Witch’

The Witch

Recognizing the witch hunts dotted throughout the U.S.’s early history as a feminist issue, Robert Eggers smartly constructs his film to be a power struggle between the two main female characters, each representing a different conception of femininity. … By rejecting motherhood, the witches reject their feminine role in the patriarchal Puritan society.

10 Women-Directed Films for Halloween

10 Women-Directed Films for Halloween

Are spine-chilling films always in demand because they help us dialogue with and about death? … In the past year, I’ve been focused on seeing films directed by women because I participated in the “52 Films by Women” initiative.

Bi Erasure in Film and TV: The Difficulty of Representing Bisexual People On-Screen

How to Get Away with Murder

As frustrating as our erasure and stereotyping is, however, I’d like to go beyond the question of “good” and “bad” representations of bisexual characters to ask this: exactly what it is about bisexuality which makes it so hard to represent on-screen? And why, when bisexuality is visible, is it so likely to collapse back into dominant stereotypes of bisexuality as either promiscuous or merely a phase?