Underwritten in this claim of selfhood, however, is a larger message. Each of the films and the TV series, to varying degrees, promote individuality over conformity. Eventually, each teaches viewers the importance of being true to yourself and avoiding the pitfalls of group mentality. …Each manifestation of the girl group trope proposes an affirmation of self-esteem, non-conformity, independence, and individuality.
With ‘The Eyes of My Mother,’ writer-director Nicolas Pesce explores the nature of human instinct and arrested development in a way that is uncomfortable to watch yet immersive just the same.
Rochelle was the social outcast with the other handful of social outcasts of St. Bernard Academy, sure. But how do we cinematize the Black girl outcast teenager that many of us felt like? That just so happens to be a practicing witch? Much of what can be read of Rochelle relies heavily on those of us whom she meant so much to.
Alice Lowe’s ‘Prevenge’ is in some ways a modernized version of ‘Rosemary’s Baby.’ … Throughout the course of history, and especially in Trump’s America, baby always comes first. Our government cares more about fetuses than it does about living, breathing women. This chills me to the core more than a scary movie ever could.
What writer/director Julia Ducournau does with ‘Raw’ is use the traditional tropes of body horror to tell the story of one young woman’s awakening. … It’s frightening and disturbing, as coming of age often is. … By filtering this all-too-common struggle through the extreme lens of cannibalism, Ducournau highlights the absurdity inherent in how women’s bodies and desires are policed.
This powerhouse series is led by Niecy Nash, who has finally been given the leading lady role she deserves. … The friendship and loyalty between these five women places this show in a long legacy of TV shows about female friendship, from ‘Sex and the City’ to ‘The Bold Type,’ but it handles itself in a much more realistic manner — it isn’t afraid to call out their flaws just as it highlights their strengths.
The problem presented by both ‘Dollhouse’ and ‘iZombie’ is that of the “Chameleon Woman.” Both Echo and Liv carry the metaphor of the expectation that women adapt based on the needs and desires of others. However, both TV series point to this societal issue with two very different takes.
Actress Thandie Newton argues that “historical dramas ‘limit UK Black actors’.” Churning out endless projects about the royal family and the so-called “good old days” isn’t doing Black actors any favors. …”Historical/period drama” is one of the worst genres for inclusion of Black characters, with a whopping 80% of such films having no named roles for Black actors whatsoever. …Period dramas and Black stories aren’t mutually exclusive, as Amma Asante shows us in ‘Belle’ and her latest film, ‘A United Kingdom.’
What is certain is that, while ultimately upholding the value of family and of traditional culture, ‘The Curse of Quon Gwon’ gives vivid expression to the frustrations of women within those rigid norms, doing so with a cinematic language of the female gaze that centers female perspectives.
The magic that has propelled ‘The Bold Type’ to the forefront of the TV summer landscape is, without a doubt, the depth and strength of the bond between the trio. … I just can’t overstate how lovely it is to see young women caring about each other unconditionally, through thick and thin. Strong friendships and more importantly strong writing, especially for female characters, doesn’t always have to rely on drama and conflict and rivalry. Sometimes all we want to see is women giving their friends a shoulder to lean on.
‘The Handmaid’s Tale,’ which stars Elisabeth Moss as June/Offred, is a hard watch in terms of emotional drama. But the TV series, which is the first prestige drama to focus intimately on a woman’s perspective of a dystopian world, rivals ‘Game of Thrones’ in terms of visual splendor.
The London Feminist Film Festival is all about “celebrating international feminist films past and present.” It “will provide a safe space to explore, celebrate, organise, and inspire.” Now in its fifth year, the festival will run from August 17-20.