Without revealing too many spoilers, the philosophy of the main characters was overwhelmingly skewed toward the idea of the “hen-pecked” “downtrodden” American male, completely emasculated by a society that demands respect and a lack of violence. At first then it appeared we were viewing a hyper-masculine awakening of the main character, Lyster Nygaard (Martin Freeman) and cheering him on as he committed his first acts of violence.
Check out what we’ve been reading this week–and let us know what you’ve been reading/writing in the comments!
But this to me is the part we should pay attention to. When we don’t get to be headstrong, sexy scientists with daddy issues, we’re locked away. Because evidently we’re worth a lot, which while flattering, also insinuates that we are prizes that can be traded, bought, or stolen. In any film of the above mentioned genres, it’s safe to assume that at some point, the concerned wife, sexy girlfriend, or charming daughter will be kidnapped. When the body is used as a bargaining chip, the images that flood our minds are women tied to chairs, kidnappers holding phones to our crying faces, and makeshifts rag gags in our mouths.
Rewatching Fargo the other day, it struck me that Marge Gunderson’s pregnancy barely figures into the film.But I challenge you to find a review of the film that doesn’t note that the character is pregnant. And If you can, I’ll find you ten more that describe her as “very pregnant” or “heavily pregnant” so as to underline this seemingly crucial detail.
Clearly, we find Marge Gunderson’s pregnancy striking and notable. But can we sit back for a moment and examine why?
Leading up to the 2011 Oscars, we’ll showcase the past twenty years of Oscar Acceptance Speeches by Best Actress winners and Best Supporting Actress winners. (Note: In most cases, you’ll have to click through to YouTube in order to watch the speeches, as embedding has been disabled at the request of copyright owners.) Best Actress […]