Fatphobia/Fat Positivity Theme Week

Fatphobia and Fat Positivity: The Roundup

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Fat, Black, and Desirable: Fat Positivity and Black Women by Chantell Monique If these women aren’t seeing any positive images of themselves on screen, how are they able to construct an identity of truth? Even though they can rely on their community for positivity, if it’s not reinforced through media representation then it renders that […]

What Your Doctors Really Think About You: Fatphobia on Medical TV

Jessica is an overweight 10 year old, treated cruelly by her doctor

Fat bodies have a curious position in medical drama, reflecting the fatphobia existing within the medical profession. Doctors tend to assume weight always a cause rather than a symptom and overweight patients are either lazy, uneducated or poor. The wealthier we are, the more opportunity we have to strive for thinness. As a class, doctors are incredibly privileged, both highly educated and wealthy, they have the privilege of deciding to be thin that many of their patients do not.

Fat, Black, and Desirable: Fat Positivity and Black Women

Jill Scott, one of Hollywood’s go-to plus-size Black women

If these women aren’t seeing any positive images of themselves on screen, how are they able to construct an identity of truth? Even though they can rely on their community for positivity, if it’s not reinforced through media representation then it renders that support useless.

Geraldine Granger, the Vicar at Large: Fat Positivity in ‘The Vicar of Dibley’

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Because of their position in the church as a figure that facilitates human connection to a higher power, people usually disconnect priest, vicars, etc. from human emotions. Being sexless or promiscuous is also attributed to female characters in media who are fat, or overweight…

One of the exciting things about ‘The Vicar of Dibley’ is that Geraldine is not a sexless and humorless character—as a vicar and a woman with a fat body.

The Fat Stardom of James Gandolfini

James Gandolfini and his formidable body

What’s clear is that, in our contemporary society and culture, the male body is not invisible. Although the female body continues to be more heavily regulated and controlled, particularly in terms of weight and appearance, the male body is no longer removed from similar considerations. As we continue to look more intensely and critically at the male body, we can anticipate a time when new images of masculinity become not only realized but embodied.

The Revolutionary Fatness of ‘Steven Universe’

Garnet, Amethyst, Steven, and Pearl in the first episode.

It does my heart a lot of good to watch this show and imagine a world where no one gives two craps about my weight. But I can only dream of how much this must mean to the little kids watching it. I mean, bear in mind, this is a children’s show. It is meant to be consumed by children. And those children will be watching the wacky adventures, thinking to themselves, “These heroes look like me. That means I could be a hero too!”

Invisible Fat Women on ‘How I Met Your Mother’ and ‘The Big Bang Theory’

The casts of CBS’s How I Met Your Mother and The Big Bang Theory

Several sitcoms, however, rely not on the on-screen presence of a so-called “unruly body,” but rather on the imagined image on an off-screen one.

‘The Foxy Merkins’ and the Uncharted Territory of the Fat, Lesbian Protagonist

Jo and Margaret at work. “A lot of the girls hang out in front of Talbots.”

That separation is reinforced by much of the film’s comedy, but Margaret isn’t positioned as an object of ridicule or disgust, as is often the case with fat and/or gender non-conforming characters. She is naive, gauche, and in over her head, but she is also the character with whom the audience empathizes most.

Fatphobia: What ‘Daria’ Got Wrong

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She tells the girls she isn’t supposed to eat chocolate, but she’d like to buy some anyway. Then, she faints as a result of hypoglycemia and possibly exhaustion, the results of her being so large. Daria and Jane stand still for a moment, startled and clueless, and then Jane takes a picture.

‘Steven Universe’: Many Dimensions of Fat Positivity

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He is soft. He is round. He is squishy and loving and completely without pretense. There is no guarding wall around his heart, no desire to compete with other boys, no need to be seen as “cool” or “tough” or “edgy,” and no compulsion to become anything other than what he already is because he knows that “what he already is” has value.

When Being Fat Isn’t A Big Deal: Jenny Gross on ‘Winners and Losers’

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The default body size also extends to actresses who are not meant to be “decorative.” In writer-director Andrea Arnold’s powerful, excellent ‘Red Road,’ from the UK, star Kate Dickie has a nude scene which is neither meant to be nor is erotic, but her body has as little fat as that of a professional marathon runner. When women see these bodies as “the norm” in films and TV even those of us fortunate enough not to hate our bodies (and even those of us who are not habitually called slurs because of our size) have to fight against the tendency to ask, “What exactly did my body do wrong to be so unlike that of nearly every woman I see onscreen?”

Sophie in Don Bluth’s ‘Anastasia’

Vlad and Sophie

Sophie is still exceptional among animated characters, and even live action characters. Though a fantastic character, she should not be the exception. She should not be a rare case of fat-acceptance. It should not be rare that a fat woman loves herself and is loved.