What is certain is that, while ultimately upholding the value of family and of traditional culture, ‘The Curse of Quon Gwon’ gives vivid expression to the frustrations of women within those rigid norms, doing so with a cinematic language of the female gaze that centers female perspectives.
Frida Kahlo’s sense of kyriarchy, in which the tension between Indigenous culture and European imperialism is a core aspect of her multi-faceted narratives of oppression and resistance, is simplified in Julie Taymor’s film ‘Frida’ towards a more Euro-American feminism, focused on Kahlo’s struggle for artistic recognition and romantic fulfillment as a woman, to the exclusion of her ethnic struggle.
What links the following films? ‘City of God,’ ‘Turbo Kid,’ ‘Slumdog Millionaire,’ ‘The Act of Killing’ and ‘Moomins on the Riviera.’ They all have women directors in their directorial teams. … Why did many of us think the movies were directed by men? If they received awards recognition, why were the men the only ones awarded?
I was reminded of the importance of telling stories that incorporate minorities and women, who so often don’t get our stories told. … As a lesbian female filmmaker, the biggest barrier to success in Hollywood is always financing.
But, when was the last time ANYONE sat down to write a story, or direct a project and asked themselves — Is this story masculine or feminine? Exactly none, I suspect. … Storytellers tell stories, audiences engage, the formula is quite simple. But, it only works one way — male filmmakers are able to make any film they want without biased-loaded gender questions, whereas women filmmakers always face more scrutiny and criticism.
Written and directed by Diane Bell, ‘Bleeding Heart’ is about class privilege, moral hypocrisy, and the arrogance of preaching nonviolence to people about to be killed. Mostly, though, it’s a chance to watch Zosia Mamet play someone other than Shoshanna and drink in a dark but gorgeous colour palette.
There’s a certain kind of freedom in the web series form; there are fewer constraints and not as many rules as there appear to be in television or film. I was incredibly inspired by so many shows I saw all over the web that bucked the norm in terms of how they told stories and who they portrayed on camera.
Seed & Spark: Being a Lady Boss: Producer Molly Coogan Hires Ladies and Celebrates a Lady Named Coco
I get asked a lot as a lady boss if I try extra hard to hire women. I truly believe in hiring the person who is best for the job, which means you have to look at a pool that reflects all the best potential hires. However, most hiring pools do not reflect that at all.
Writer/Director/Actress and Moonfaze Film Festival Founder Premstar Santana has taken on the challenge of not waiting for Hollywood to feature feminist cinema. She is creating the platform that elevates feminist viewpoints from marginalized voices that rarely get the opportunity to shine.
Nollywood, the Nigerian film industry, has overtaken Hollywood in terms of its volume of output, and is now second only to Bollywood. What were once dismissed as stilted, static, and amateurish films made on home video, have now developed into their own distinctive visual style and genres, which are popular and influential across Africa and the African diaspora worldwide.
Oscar Wilde’s polemic “The Soul of Man under Socialism” offers a prophetic warning about authoritarian tendencies in socialist philosophy, and the need to safeguard individualism, as Wilde attempted to reconcile his belief in social equality with the protection of minority opinion and divergent personalities. The philosophies of Karl Marx advocated radical equality, including gender equality, but through imposed conformity rather than equally accepted diversity.
Directors Amma Asante and Gina Prince-Bythewood illustrate that when a story is told through the eyes of the second sex, themes, such as romance, self-worth, and identity are fully fleshed out. By examining an 18th century British aristocrat and a 21st century pop superstar, it proves that in the span of three centuries, women still face adversity in establishing a firm identity, apart from the façade, amongst the white noise of societal expectations.