Director Anna Rose Holmer… described her film as portraying “adolescence as choreography.” I personally cannot think of a more apt way to describe the delicate movements one takes throughout the teenage years. One yearns to step into the spotlight and embrace one’s individuality while also fearing the consequences of doing so. It’s a delicate balancing act, wanting to be your own person while also wanting to fit in with everyone else.
After chronicling the clashes among family, football, and adolescence in ‘Bend it Like Beckham,’ Gurinder Chadha delves into similar territory with the ebullient coming-of-age tale ‘Angus, Thongs and Perfect Snogging.’ An adaptation of the 1999 novel ‘Angus, Thongs and Full-Frontal Snogging’ by the late Louise Rennison, the film tells the story of Georgia Nicolson, a teenager growing up in Eastbourne, England, whose entry into the world of romancing boys is as fraught and funny as you might expect.
A particular focus in women-driven TV comedy is the importance of female friendship. … ‘Fleabag’ breaks from this pattern by exploring the effects of losing a best friend, and continuing to live in the world without her. Fleabag talks to us like we’re her new best friend because she can no longer talk to her real one. That the series is so funny while telling a tragic story about a very sad woman speaks to the power of comedy in addressing such difficult topics.
Interview with First-Time Web Series Creators Ilana Rubin and Lana Schwartz on Comedy Thriller ‘Secrets & Liars’
[Web series are] “the best opportunity we have to express our voices, because we can use any type of format we want. I think it’d be great to see more shows that represent different viewpoints and experiences than are typically seen in comedy…” “The internet has been great for creators to get their voices heard! … I think having a diverse writer’s room isn’t just essential but should be mandatory.”
Meredith and Cristina reach for each other consistently for 10 seasons, never allowing a male relationship to supersede their friendship. … Watching ‘Grey’s Anatomy’ depict such a powerful female friendship consistently inspires me to improve my own relationships with women, looking to Meredith and Cristina as a model for how sisterhood really should be.
Now that Dr. Meredith Grey’s husband, Dr. Derek Shepherd, has dearly departed ‘Grey’s Anatomy,’ we can focus on the real relationships that drive the show: Meredith and the women in her life.
In fact, she genuinely began to feel “depressed” from playing Lucille. However, when she confided this in on-screen brother Tom Hiddleston, who has famously played characters such as Marvel villain Loki, he shared that “you only have fun when your character is having fun,” and, as Chastain explains, “Lucille hasn’t had a fun day in her life.” As the victim of intense patriarchal oppression, it’s no wonder.
There were never any shows that centered happy, single, child-free Black women that prioritized good sex as part of successful living. That is until two television shows came on the scene, ‘Living Single’ (1993-1998, created by Yvette Lee Bowser) and ‘Girlfriends’ (2000-2007, created by Mara Brock Akil).
As emerging adults, Abbi and Ilana are free to explore their sexuality as they choose. Choosing to be sexually active means the women have the possibilities of exploring love and sex, casual or within a relationship, in a way that best serves them as 20-something single women. Although Abbi and Ilana each explore their sexuality differently, the women share a common mentality- that they will embrace the many sexual adventures they embark on and support and empower each other every step of the way.
Friendship between women has been depicted in an array of illustrious shapes in our pop culture. Who hasn’t seen the indelible images of Thelma and Louise, Cher and Dionne, Romy and Michelle, Leslie and Anne? The new kids on the block that will nestle themselves into our cultural lexicon are: Olivia and Rachel. British humor is revered and known for blending dark humor with peculiar physical comedy, but try listing at least three films off the top of your head that are focused on the Black British experience and black British humor; you’ll likely come up short. However, there’s now ‘Ackee & Saltfish,’ a witty step forward in closing the gap.
‘Bessie’ is one of the rare mainstream films that shows an unapologetically Black, female and queer protagonist. That alone is groundbreaking in an otherwise straightforward biopic.
The most remarkable feature of Ron E. Scott’s Canadian drama ‘Blackstone,’ apart from its blistering probing of Kellogg’s “ugly facts” of demoralization, is how closely it links gendered oppressions with other exploitations.