Andrée Inspires Father And Son In ‘Renoir’

Poster for French film, Renoir. Written by Janyce Denise Glasper Gilles Bourdos’ Renoir is a feast for an art appreciator’s enjoyment, opening on lush, brilliant cinematography and a flaming red-haired woman riding a vintage bicycle dressed in vivid orange coat, brown kid gloves, and rounded sunglasses. This is Andrée Heuschling bringing forth a brazen, illustrious […]

Travel Films Week: "It Seems to Me That She Came From the Sea": A Review of Agnes Varda’s ‘Vagabond’

Agnès Varda directs Vagabond This is a guest review by Rachael Johnson. Vagabond is one of Agnès Varda’s finest films. First released in 1985, its title in French is Sans Toit Ni Loi–Without Roof or Law or Homeless and Lawless. It is the story of Mona, a young homeless woman roaming the landscape of a […]

‘Yerma’: The Pain, Heartbreak and Destruction of Infertility and Patriarchy

Movie poster for Yerma  Written by Leigh Kolb for our theme week on Infertility, Miscarriage, and Infant Loss. My womb is opening / without fear or dread / and on white sheets / I sketch my dream. Let us sing / let us sing / let us sing. For life is woven in the early morn, For the silvery […]

The Power of Portrayal: Infertility, Reproductive Choice and Reproduction in ‘We Want a Child’

Movie poster for We Want a Child Written by Leigh Kolb for our theme week on Infertility, Miscarriage, and Infant Loss. The 1949 Danish film We Want a Child (Vi vil ha’ et barn) deals with abortion, failed adoption, infertility, detailed fertility and prenatal care and childbirth. Depictions of any of these subjects are few and […]

"You won’t be the first pig I’ve gutted!": The Women of ‘Pan’s Labyrinth’

Written by Amanda Rodriguez I unabashedly adore Guillermo del Torro’s Pan’s Labyrinth. It’s beautifully rendered between two dark, cruel worlds. Our heroine, Ofelia, wants to escape the foreignness and brutality of her new life as the stepdaughter of “The Captain,” a cold and violent military officer hunting down rebels as part of Franco’s fascist regime […]

Foreign Film Week Roundup

Gender, Family and Globalization in ‘Eat Drink Man Woman’ by Emily Contois   Foreign Film Week: Red, Blue, and Giallo: Dario Argento’s ‘Suspiria’ by Max Thornton Sexism in Three of Bollywood’s Most Popular Films by Katherine Filaseta BFI London Lesbian and Gay Film Festival Realistic Depictions of Women and Female Friendship in ‘Muriel’s Wedding’ by […]

Foreign Film Week: Female Empowerment, a Critique of Patriarchy…Is ‘Crouching Tiger, Hidden Dragon’ the Most Feminist Action Film Ever?

Written by Megan Kearns. | Warning: Spoilers ahead Can an action film portray exquisitely choreographed fighting scenes, badass fully dimensional ladies, tragic romantic love and make a searing social statement? Yes, yes, yes. One of my favorite films, Crouching Tiger, Hidden Dragon is an undoubtedly feminist action film with a potent gender commentary woven throughout. […]

Foreign Film Week: Magical Girlhoods in the Films of Studio Ghibli

Guest post written by Rosalind Kemp, previously appeared at Bitch Flicks on November 30, 2011. “For the people who used to be ten years old, and the people who are going to be ten years old.” — Director Hayao Miyazaki on Spirited Away The films of Studio Ghibli provide their viewers with a rich variety […]

Foreign Film Week: Growing Up Queer: ‘Water Lilies’ (2007) and ‘Tomboy’ (2011)

Written by Max Thornton, this review previously appeared at Bitch Flicks on June 26, 2012. Céline Sciamma’s films are ever so French. Light on dialogue, they tend to rely on lingering shots of longing glances and exquisite mise-en-scène to reveal character; loosely plotted, they leave the impression less of a story than of a series […]

Foreign Film Week: The Accidental Feminism of ‘4 Months, 3 Weeks and 2 Days’

 Guest post written by Nadia Barbu.  In the 1960’s and 70’s, the regime of Romanian communist dictator Nicolae Ceausescu was considered one of the more liberal in the European Soviet block, and maintained diplomatic relations with Western countries (US President Richard Nixon visited him twice; the Queen of England bestowed upon him a knighthood). Of […]

Foreign Film Week: A Failed Attempt at Feminism Impedes ‘Rust and Bone’

Guest post written by Candice Frederick, originally published at Reel Talk. Cross-posted with permission. At its core, there’s something very interesting about the small yet much buzzed about French film, De rouille et d’os, which is translated in English as Rust and Bone. Its off kilter premise, which follows the extraordinary love story of an […]

Foreign Film Week: The Disturbing, Terrorizing Feminism of Dušan Makavejev’s ‘WR: Mysteries of the Organism’ and ‘Sweet Movie’

Written by Leigh Kolb [Trigger warning: references to graphic content.] Sometimes feminist films succeed by showing just how awful a world without feminism is. Dušan Makavejev’s WR: Mysteries of the Organism (1971) and Sweet Movie (1974) provide that kind of jarring commentary.  Both of these films critique fascism, communism, capitalism and sexual repression. His films are part of the […]