Gone with the Wind

Blurred Lines: The Cinematic Appeal of Rape Fantasy


While Whore stigma is gradually declining, kinky desires remain stigmatized, especially in women. By vocally disowning that desire, “Madonna” Anastasia Steele qualifies herself to serve as an avatar for readers who struggle to acknowledge and integrate their sexual urges. The “displaced consent” model of rape fantasy may be recognized, and distinguished from the “sexual assawwwlt” model, by its masterful Ice Prince hero, whose full control is essential to eliminating the heroine’s responsibility.

Normalizing the Black Family


When Solomon, Eliza, and her two children are both sold, she is sold away from her children. Their new slave owner, William Ford, (Benedict Cumberbatch), feeling guilty when he hears Eliza’s sobs of protests, tries to buy the children, but the auctioneer refuses to sell the them. William Ford takes Solomon and a devastated Eliza to his plantation, where she continues to cry on the journey to the plantation. When Ford’s wife, Mistress Ford, hears of new slave Eliza’s plight she callously responds, “Oh poor thing, well she’ll get over it in a day or two.”

The Fantasy of Mammy, the Truth of Patsey

Hattie McDaniel

However, I want to challenge that particular narrative: that nothing has changed. If we juxtapose McDaniel’s Mammy alongside Nyong’o’s Patsey, we might realize that, apart from being slaves, their characters are nothing alike. Indeed, from a historical and cinematic context, something significant has changed. Mammy is the mask that pro-slavery apologists used to erase the existence of the Patseys in slavery. It is remarkable that it took 75 years to remove that mask from depictions of cinematic slavery.

Female Friendship: The Roundup

Walking above favela “Barbarah (Leilah Moreno), Lena (Cindy Mendes), Mayah (Quelynah), and Preta (Negra Li)

Check out all of the posts for our Female Friendship Theme Week here.

Scarlett and Melanie: The Ultimate BFFs


Regardless of how psychological or interpretive you want to get with Scarlett and Melanie’s friendship, it serves as an invaluable example for how women can accept, value, and interact with one another.

Bitch Flicks’ Weekly Picks


Check out what we’ve been reading this week–and let us know what you’ve been reading/writing in the comments!

Women in Science Fiction Week: 21st Century Mammy: Older Black Women Are the Lowest Rung on the Visibility Ladder of Science Fiction

Guinan (Whoopi Goldberg) in Star Trek: The Next Generation  Guest post written by Joanne Bardsley. At some point in the near future, a mass genocide, coupled with a widespread sterilisation programme, occurs. This results in an overwhelmingly white population (genetic preservation orders are been enacted for redheads and natural blondes). Compulsory euthanasia exists for the […]