In Which I Attempt to Convince the World to Watch All Things Tig Notaro


I had never heard anything like this sketch; I was enthralled. The timing. The repetition. The silence. Such gorgeous pauses. In a world where it feels like we need to fill every space with some yammering, to hear someone on stage using silence–to be brave enough to use it–made me take notice of this person Tig. And not just me. ‘The New York Times’ ran a piece about her 13-minute paean to Taylor Dane.

Bitch Flicks’ Weekly Picks


Check out what we’ve been reading this week – and let us know what you’ve been reading/writing in the comments!

Reflecting on ‘True Detective’s First Season


But, at the end of the day—at the end of a lot of days—I’m tired of watching these shows and seeing women as props and symbols used to push the hero along his way. I’m tired of watching these shows and seeing the massive chasms between what they present, what they claim to represent, and what their fans insist they represent.

‘Silicon Valley’ Adds Women, Convinces Me It Shouldn’t Add Women


Women aren’t really treated poorly by ‘Silicon Valley,’ but it’s weird that they’re treated as being so different from the male characters on the show. Where the men have recognizable – if exaggerated – human failings, motivations and personality tics, the women are much more inscrutable, like adults who’ve walked into the middle of a children’s game. It’s a pattern that exists outside of just this show, but it’s something that stops women from being full participants in the story even if they now, at least, exist there.

‘Entourage’: Masculinity and Male Privilege in Hollywood


Turtle reminds Vince that “the movie is called ‘Aquaman,’ not ‘Aquagirl.'” This line is indicative of the “boys club” that continues to thrive in Hollywood. An actress’s livelihood in the industry is dependent on her co-star.

Masculinity in ‘Game of Thrones’: More Than Fairytale Tropes

Sam finds his courage defending Gilly and Baby Sam against a White Walker.

Boys are judged on their ability to swing a sword or work a trade, criticised for showing weakness, and taught to grow up hard and cold. Doesn’t sound unfamiliar, does it? Masculinity is praised in Westerosi society, as it is in our own.

How Upset Should We Be About Rape Plot Lines on HBO?


Let me start by saying that the title of this post is a little disingenuous – I’d never tell you how upset to be about the rape plot lines on HBO. You feel how you feel, and you get to make your own decisions about what you do and don’t watch. I do, however, find it interesting that rape’s showing up so often on TV, and I wonder whether that’s a good thing (because we’re finally talking about it) or a bad thing (because we’re slowly getting desensitized to it). I think it’s a little of both.

Bitch Flicks’ Weekly Picks


Check out what we’ve been reading this week–and let us know what you’ve been reading/writing in the comments!

‘Bessie’: Unapologetically Black, Female, and Queer

The Empress of the Blues, Bessie Smith. Mood:Indigo

‘Bessie’ is one of the rare mainstream films that shows an unapologetically Black, female and queer protagonist. That alone is groundbreaking in an otherwise straightforward biopic.

Mo’Nique Returns to the Spotlight in ‘Bessie’


The film also focuses on the relationship between Smith and Ma Rainey, who mentored Smith and gave her guidance on developing her stagecraft. Mo’Nique portrays Ma Rainey, known as the “Mother of the Blues,” in a rich and layered performance and has so much charisma she steals every scene she’s in.

One to Watch Out For: HBO’s ‘Bessie’

A portrait of Bessie Smith by Carl van Vechten

There is, nevertheless, something magical about Bessie’s life and career. How did an impoverished, orphaned Black girl who spent her childhood singing on the streets not only survive but succeed in a land that still lynched its Black citizens? There is something profoundly modern and heroic about the woman herself. An independent woman with attitude and talent, she has to be one of the most charismatic feminist icons of the 20th century.

Political Humor and Humanity in HBO’s ‘VEEP’


She’s a toxic political figure, a creator of monumental gaffes and inappropriate situations who doesn’t even have the excuse of good intentions. Her intentions are always self-serving and she treats her staff atrociously, often assigning them the blame for her mistakes.