Intersectionality

On Our Terms: A Black [Women’s] Horror Film Aesthetic

Ganja and Hess

What horrors are directly related to Black women? What elements, themes, aesthetic appeal would make a horror film a solid example of Black female centrality and agency? And even still, strike fear in a universal audience… Our ghosts: how are they different?

Why, as an Intersectional Feminist, I Can’t Get Behind the TV Land ‘Heathers’ Reboot

heathers-2

The television reboot will give marginalized people power that they don’t have in real life. As a result, they cast cis straight white people as the oppressed underclass. This misrepresentation of the real world will ultimately work to reinforce the fallacious idea that marginalized groups are “taking over” and gaining power over white, cis, straight, or otherwise privileged people. … I am not at all against a ‘Heathers’ reboot, but I want one that is progressive and intersectional, one that expands on the feminism of the original rather than scaling it back.

‘Parks and Recreation’: Leslie Knope’s Problem with Women

Parks and Rec

For Leslie, feminism means, rather simplistically, that she admires women who are in power, believing that gender should be no barrier for achievement. Unfortunately, despite Leslie’s determination to highlight her dedication to furthering the feminist cause, her understanding is not only crude and rather rudimentary, but can, frequently, be damaging. Her identification as a feminist is, much like Tina Fey’s Liz Lemon on ’30 Rock,’ hugely lacking in intersectionality. This is even more frustrating considering that three of the four female cast members are women of color.

Wednesday Addams, Smasher of the Patriarchy

Wednesday Addams, as played by Christina Ricci in Addams Family Values

She’s not nice, she’s not fragile, she’s not kind or sweet or even vaguely pleasant. She’s mean and angry and cynical and disaffected and sarcastic and snide and everything I wanted to be as a child. She’s also an intersectional feminist. And a little girl. She’s the best.

‘Oblivion:’ A Response to Ignatiy Vishnevetsky’s Review on RogerEbert.com

Oblivion (2013)Jack Harper (Tom Cruise) stands on the landing pad to his home. This is a guest post written by Gabrielle Gopie-Tree.  I’m not a Tom Cruise fan and I usually don’t watch his films, but I quite like Oblivion. To be fair, I am partial to post-apocalyptic productions but often the action is overdone […]