Lost in Translation
When it comes to the critique of Sofia Coppola, her filmic style is too often described along the lines of being too pretty, too feminine, or as style over substance. … Male directors, however, who exhibit the same attention to style and aesthetics, are not held to this same ideal. … There is a double standard in the way prettiness is regarded in cinema. “Pretty” is for female directors, but for male directors, prettiness isn’t ever uttered, and reverence is received in its place.
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Many films touch upon the theme of female isolation, but I remain fascinated with Sofia Coppola’s three major cinematic creations that explore the world of The Silent Woman: ‘The Virgin Suicides,’ ‘Lost in Translation,’ and ‘Marie Antoinette (2006).’ Each film delves into this enigma, forming a multifaceted frame of reference for a shared understanding.
Written by Robin Hitchcock Charlotte (Scarlett Johansson) and Bob (Bill Murray) in Lost in Translation Sofia Coppola’s Lost in Translation is remembered mostly for the genuinely affecting romance between its leads Scarlett Johansson and Bill Murray, but it also offers a singular depiction of culture shock. Unfortunately, in representing the “strangeness” of Japan through the eyes […]
This is a guest post by Marcela De Vivo. Movies that speak to the action hero or war veteran in us are not hard to come by. More often than not, those movies present a distinctly masculine vision of what adventure and life’s dilemmas look like. While there’s certainly nothing wrong with that, finding movies […]
Sofia Coppola with her Oscar for Best Original Screenplay for Lost in Translation Sofia Coppola is one of only four women ever nominated for a Best Director Academy Award, and was the first woman from the United States to achieve the honor. Her nomination was for Lost in Translation, for which she won the Oscar […]