A useful piece of advice I received as a screenwriter was to make my main character proactive. If my lead was willful and had a clear goal, I would have no problem following them through their own actions to achieve, or not achieve, that goal. This was useful insofar as it allowed me to finally complete a script. With just a little finagling the plot points unfolded in all the right places and things made good sense. But naturally, I was therefore incapable of writing anything remotely true to my own life experience.
Wedding Week: You’re Nobody Till Somebody Loves You: ‘Muriel’s Wedding’ and the Promise of Bridal Transformation
This is a guest post by Jessica Freeman-Slade. As much as they contain all the elements of great cinema—gorgeous photography, lighting, costumes—weddings are hard to capture on film because their machinations and motivations are so terribly complicated. Even a film like Father of the Bride can’t distance itself from the fact that weddings are logistical […]
Guest post written by Libby White. The first time I saw Muriel’s Wedding, I went in expecting a Cinderella-esque romantic comedy about an awkward girl who transforms her life into one filled with success and romance. I was definitely ready to indulge in your standard ‘feel-good chick-flick.’ Two hours later, as I sat surrounded by […]
Susan Sarandon (Louise) and Geena Davis (Thelma) in Thelma and Louise Guest post written by Sophie Standing. Stock up on tissues and chocolate ice-cream, call your best bud, and reserve a day just for the two of you. For the ultimate feel-good friendship vibes, rent the following from your local store and have a BFF […]