Race

On Our Terms: A Black [Women’s] Horror Film Aesthetic

Ganja and Hess

What horrors are directly related to Black women? What elements, themes, aesthetic appeal would make a horror film a solid example of Black female centrality and agency? And even still, strike fear in a universal audience… Our ghosts: how are they different?

‘Game of Thrones’: Oberyn Martell, a Positive Portrayal of a Bisexual Man of Color

Game of Thrones

But even if Oberyn Martell isn’t your favorite, he is decidedly unique in one regard: a positively portrayed bisexual man of color on television. As if this weren’t enough, his character arc doesn’t center around his race or his sexual orientation. Like any other character on the show, he has his own convoluted political revenge plot.

#OscarsSoWhite: The Fight for Representation at the Academy Awards

The 85th Academy Awards® will air live on Oscar® Sunday, February 24, 2013.

But beyond academy membership, changes need to be implemented on every level, from writing to directing to acting. Speaking in a roundtable on Oscar Diversity, Lara Brown notes that in order to diversify the entertainment industry, women ought be present in a variety of roles. Brown, who directs the Political Management Program at George Washington University believes that women ought to be present in every aspect of the filmmaking process.

Ladies and Gentlemen, ‘Master of None’ Is the Series We’ve All Been Waiting For

Master of None

You don’t have to look further than the comments section on any website to see that people with more power routinely try to decide what people with less power have the right to complain about. It’s something that happens in every discussion about inequality, but it’s so rare for that to be the topic itself that I was actually shocked when it was in “Ladies and Gentlemen.”

Rape, Consent and Race in Marvel’s ‘Jessica Jones’

Jessica Jones poster

Marvel’s ‘Jessica Jones’ is the latest, best example of white feminist fiction: excellent on sexism, terrible on racism.

The Female Gaze: Dido and Noni, Two of a Kind

Belle 3

Directors Amma Asante and Gina Prince-Bythewood illustrate that when a story is told through the eyes of the second sex, themes, such as romance, self-worth, and identity are fully fleshed out. By examining an 18th century British aristocrat and a 21st century pop superstar, it proves that in the span of three centuries, women still face adversity in establishing a firm identity, apart from the façade, amongst the white noise of societal expectations.

Almost Perfect: ‘Attack the Block’

Attack_The_Block_2

Basically, the alien invasion is a way to explore the idea that poor kids in rough situations might act in ways that look like senseless yob violence to the outside observer, but internally have their own logic and sometimes even heroism. It’s a hell of a response to a mugging.

The Gaze of Objectification: Race, Gender, and Privilege in ‘Belle’

Movie poster for Belle

What does it mean in a young woman’s life to be constantly stared at and treated as “the Other”? ‘Belle,’ directed by Amma Asante and written by Misan Sagay, has a lush, gorgeous look from the costumes to the landscape, and throughout this new film we, too, are invited to “look,” and to understand that “the dominant white male gaze” is related to power in 18th-century England. An actual 1779 portrait currently hanging in Scone Palace, Scotland, credited to artist Johann Zoffany, is at the heart of the complex ‘Belle,’ as is the issue of race.

Racebending and the Academy Awards: Get Ready to Cringe

Linda Hunt as Billy Kwan in The Year of Living Dangerously

The very sad moral of the story is that Hollywood never “has to” cast a person of color. White supremacy in Hollywood finds a way.

The Many Faces of Catwoman

The many faces of Catwoman

Who doesn’t love Catwoman? She’s smart, sassy, independent, has her own moral code, and often outfoxes (or maybe outcats) Batman, one of the greatest superheroes of all time. Though I’d be hard-pressed to label her skin-tight, uber-revealing outfit as feminist, Catwoman is a famous sex symbol who uses her sexuality to her own advantage. The figure of Catwoman has gone through dozens of iterations over the years, which goes to show that this iconic figure is a potent anti-heroine or villainess who continues to appeal to audiences throughout the generations. Now I’m answering the question: which of is the most feminist representation?

‘Elysium’: A Sci-Fi Immigration Parable

Elysium Movie Poster Written by Amanda Rodriguez I was surprised that I not only liked, but was impressed by Elysium. I had my doubts because it’s a Hollywood blockbuster, and their interpretation of the tenets of sci-fi usually leaves much to be desired. Also, I just really, really don’t like Matt Damon and his…face. The […]

Bitch Flicks’ Weekly Picks

‘The Great Gatsby’ Still Gets Flappers Wrong by Lisa Hix via Collectors Weekly Geena Davis: Girls Need More Role Models in Media by Erica E. Phillips via The Wall Street Journal’s Speakeasy A Dude to Direct Hillary Clinton Biopic by Melissa Silverstein via Women and Hollywood  Rodham Will Put Hillary Clinton’s Backstory on the Big […]