Seed and Spark

Seed & Spark: “Not Even Once”


I don’t know yet if we made a good movie, but I’m pretty sure we made an honest movie—and you can’t do that while you, or your characters, are busy pretending to be “strong.” Being vulnerable, and weak, and pushing ahead anyway is what’s interesting about anyone, fictional or real.

Seed & Spark: The “Flawed” Female Protagonist Is, Quite Simply, My Favorite


Not everyone who loves romantic comedies, lives them. Not every happy ending looks like happily ever after. If you feel like you don’t know which box to check, find four lines and create your own.

Seed & Spark: ‘Stonewall’ Movie Fail

Stonewall movie

The movie adaptation of the Stonewall Riot entitled ‘Stonewall,’ directed by Roland Emmerich, is harboring unprecedented criticism from the entire LGBTQI community. Countless blogs, online publications, and social media pages have each blasted the movie with comments on whitewashing and altering of the historical facts.

Huffington Post Gay Voices released an article with the headline title “#NotMyStonewall: Why I’m Not Giving the Movie “Stonewall” a Chance.” The entertainment section focused on the petition against the movie that reached more than 20,000 signatures.

I personally feel embarrassed for the director. No matter how hard he and his team try to damage-control this situation, I don’t think they will have any way out.

Seed & Spark: Funny, Feminine, and F*cking Fantastic: Funny Women Who Make Me Want to Woman the Bejeezus Out of My Writing

Katie Dippold being all chill about being awesome

But lately there’s been a surge of female writers who inspire me. Not only for their individual writing styles, but also for their ability to be so unapologetically female. Which, as my writing partners and I launch into production of our web series ‘Supporting Roles,’ means everything.

Seed & Spark: On ‘Ex Machina,’ Artificial Intelligence of Color, and How to Become a (White) Woman

Caleb and Kyoko

I decided to be a filmmaker because I believe that women of color should proclaim ownership over the creation and dissemination of our images and stories. When Ava DuVernay asked her Twitter followers to name films that featured black, brown, Native, or Asian women leads, only a handful of films on that list featured an Asian American actress with an Asian American woman director at the helm. (And the drop-off between first and second efforts is alarming; Alice Wu, the writer/director of 2004’s ‘Saving Face,’ has never made another feature.)

Seed & Spark: Why I Have a Giant Lady Crush on Elizabeth Banks


I will begin by saying that Elizabeth Banks is totally on my radar. If you are a producer and an actress who does comedy (as I am), you will sit up and take notice when other ladies – especially comediennes – break the boy-code barrier and succeed at straddling that fine line between marketable (aka “attractive to audiences”) and powerful (aka running your own series and being a lady-boss).

Seed & Spark: Finding Ourselves In Our Work

the youtube diaries that became the installation, yr a slut (2010)

We are so quick to label adolescent girls as these terrible, unruly, hormone-driven monsters, but underneath the name-calling and back-stabbing, where do the behaviors originate? It’s easy to say that we, as women, should be holding one another up rather tearing each other down, so why do we lash out so quickly at one another?

Seed & Spark: Vive La Revolution!

Scene from Test Shoot for Of Dust and Bones

In my own life, I’m embracing the idea that films can make a difference, and that they do. It’s not just the content of the film, but how we make them, how we finance them, how we share them.

Seed & Spark: Being Bossy, Unbreakable, and Daring Greatly

Behind the scenes of making the teaser video for The Average Girl’s Guide to Suicide.

But as Sheryl Sandberg’s Ban Bossy campaign states, “When a little boy asserts himself, he’s called a ‘leader.’ Yet when a little girl does the same, she risks being branded ‘bossy.’” As a 28-year-old, I can vouch that it’s not just little girls that are affected by “bossy.” I’m trying to Ban Bossy in my own brain (or accept that I am a boss and it’s OK if I’m “bossy”) and it got me thinking about our society’s gender expectations and how they can hold all of us back.

Seed & Spark: The Feminist Act of Telling a Man’s Story


‘The wHOLE’ explores humanity, exposes the prison industrial complex which controls and subverts the humanity of all those it houses, and in the course of the series it invites viewers to grow in empathy for a person, who, for some, would be otherwise unlikely to evoke it.

Seed & Spark: Damn the Consequences. Take the Plunge.


How you define risk – be that financial, ethical, physical or moral – is vital. It shapes who we are and, even more so, what we see in the media and onscreen. We all know that male studio heads define “risk” as films helmed by women (despite the overwhelming stats that women-led films do better financially). It is clear to me that now, more than ever, we need risk-takers in charge. We need risk-takers to make women better represented in film, on both sides of the camera.

Seed & Spark: Oh … You’re Not Making a Rom-Com?

Filmmaker, Jessica M. Thompson, at the premiere of her short film, Across the Pond, at Tropfest NY 2013

Considering more than one in five women are raped in their lifetime in the USA, I feel it is a hard-hitting reality and it is about time this film is made. I should also point out, that the script focuses on the recovery of a rape survivor and is much less of a tragic tale, than a realistic and a hopeful one.