Short Film

‘Busted on Brigham Lane’: A Woman-Directed Short Film about a Young Woman’s Reconciliation with Her Father

Busted on Brigham Lane

“When Momo spots her estranged father on the subway, she’s determined to reconcile their relationship in time for her 18th birthday party, despite her sister’s misgivings. Will the family be able to reconnect, or will Pop let Momo down once again?”

‘The First Date’: A Woman-Directed Short Film about LGBTQ Dating

The First Date

“Amanda recently went on a blind date with Kelly, the perfect woman. Unfortunately, their romantic encounter didn’t go so well. Amanda retreats to her work bathroom to vent to her friend Jill, but both are in for a shock when they find out there’s someone else there hanging onto their every word.”

Queer Post-Apocalyptic Western ‘The Lotus Gun’ Director Interview

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‘The Lotus Gun’ is a critically acclaimed short, independent student film co-written and directed by Amanda Milius. The film is a beautifully rendered post-apocalyptic story with a Western aesthetic that features a queer relationship between its two female leads.

DV8 Film Festival Reminds Us That Filmmaking Is Fun

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The homemade, DIY, guerilla feeling of this screening party fit the theme of the festival: every film shown was made over the course of 48 hours on either MiniDV or Super 8 film, using only in-camera editing. The result was a collection of films that filled the gap in so many film school and indie filmmaker spaces: a festival that celebrated the fun of filmmaking and visual storytelling as opposed to technical perfection.

The Fresh Slice of Life of ‘Ackee & Saltfish’

Rachel (left) and Olivia (right)

Friendship between women has been depicted in an array of illustrious shapes in our pop culture. Who hasn’t seen the indelible images of Thelma and Louise, Cher and Dionne, Romy and Michelle, Leslie and Anne? The new kids on the block that will nestle themselves into our cultural lexicon are: Olivia and Rachel. British humor is revered and known for blending dark humor with peculiar physical comedy, but try listing at least three films off the top of your head that are focused on the Black British experience and black British humor; you’ll likely come up short. However, there’s now ‘Ackee & Saltfish,’ a witty step forward in closing the gap.

‘Ackee & Saltfish’: There Are Other Narratives to Explore

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We need new filmmakers like Cecile Emeke to break new ground with digital media. Smash the stranglehold of white filmmakers being the only ones telling Black stories that often dredge up old stereotypes and tired narratives. We need the specificity of Emeke’s vision. And dammit, I need more Rachel and Olivia in my life.

True Beauty in ‘A Day in Eden’

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This moment, of course, is true beauty. They are vulnerable with one another, and that erases the walls that we constantly build up between generations, religions, and genders.

Seed & Spark: Beyond the Bechdel Test: Strong Female Friendships on Screen

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On screen male friendships are portrayed completely differently than their female counterparts. Boys have rebellious adventures together for adventures sake (e.g. ‘Kings of Summer’). Boys pull off heists together (e.g. ‘Oceans 11′). Boys are “bros” and seem to get along for the most part.

But girls are a different story. Girls fight over boys (e.g. ’27 Dresses,’ ‘Something Borrowed’). Girls are catty (e.g. ‘Bride Wars’). Girls are overly dramatic (e.g. ‘I Hate Valentines Day’).

‘Shine’: 10 Women Strip Down and Share Their Thoughts on Body Image

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There were parts of the short that I really loved. The variety of women–not just in terms of body type but also ethnicity–was wonderful to see captured on film. The scenes where the women were just hanging out being themselves were beautiful and really conveyed a sense of easy feminine bonding that is something unusual in a world where women are almost always conveyed as competing with each other.

Seed & Spark: The United States of Femerica

Downtown production still by Caitlin Machak

Recently, I interviewed for a position on a short film with the director of the project. During the interview, the man, probably 10 years my senior, openly shared with me his experiences as a filmmaker so far, which I can relate to, being a maker of films myself. Needless to say, the conversation was easy-going and I didn’t think twice when I uttered something along the lines of, “I’m a feminist.”

The words had barely fallen out of my mouth when suddenly, instant panic appears in his eyes, train of thought screeching to a stop, sirens, the whole nine. For the rest of the meeting he tip-toed around everything, terrified to set me off on a man-hating rant, or whatever he thought might happen. His reaction almost made me want to apologize for saying it (almost). What the frack? Two minutes ago you were confiding in me and now, that one little word has changed me into an intimidating, unapproachable person?

‘The Quiet Girl’s Guide to Violence’: The Manic Pixie’s Perspective

Written by MaxThornton. “I have made a resolution. … People should not be allowed to get away with things.” The Quiet Girls’ Guide to Violence poster Actually creating matter by naming it might be the prerogative of the gods, but there’s a certain generative power in naming even the most mundane things. When something is […]

When Opportunity Knocks

Shooting Fog City This is a guest post by Liz O’Neal. I am not a traditional filmmaker, and to be honest, I was not an experienced filmmaker until I produced Fog City. I moved to SF a year ago to manage a video studio – from operations and client services and video production — for […]