Sofia Coppola

Too Feminine, Too Pretty, and the Gendered Bias in the Critique of Sofia Coppola’s Films

Marie Antoinette

When it comes to the critique of Sofia Coppola, her filmic style is too often described along the lines of being too pretty, too feminine, or as style over substance. … Male directors, however, who exhibit the same attention to style and aesthetics, are not held to this same ideal. … There is a double standard in the way prettiness is regarded in cinema. “Pretty” is for female directors, but for male directors, prettiness isn’t ever uttered, and reverence is received in its place.

‘The Virgin Suicides’: Striking Similarities Between the Lisbon and Romanov Sisters

'The Virgin Suicides' | Lisbon and Romanov Sisters

Two sets of sisters, different in circumstance but alike in experience: the four Romanov Grand Duchesses of Russia and the four Lisbon sisters from 1970s Michigan in ‘The Virgin Suicides.’ … Clear links between the two sets can be drawn, but ultimately reveal that in both situations, living in a gilded cage only leaves behind a haunting memory.

The Repercussions of Repressing Teenage Girls in ‘The Virgin Suicides’ and ‘Mustang’

Mustang

Both are critically acclaimed dramas directed by women documenting the coming-of-age of five teenage sisters under close scrutiny for their behavior — especially when it comes to their sexuality. And in both films, the girls’ response to this repression is to resort to desperate measures to regain control, resulting in tragedy that could have been averted if they were given the freedom for which they hungered.

Women Directors Week: The Roundup

Women Directors Week The Roundup

Check out all of the posts from our Women Directors Theme Week here.

Sofia Coppola as Auteur: Historical Femininity and Agency in ‘Marie Antoinette’

Marie Antoinette

Sofia Coppola’s film conveys, to me, a range of feminist concerns through history. Concerns of how much agency, even in a culture of affluence, women can wield given that so much of women’s lives are dictated by the structures of patriarchy.

Sofia Coppola and The Silent Woman

Lost in Translation

Many films touch upon the theme of female isolation, but I remain fascinated with Sofia Coppola’s three major cinematic creations that explore the world of The Silent Woman: ‘The Virgin Suicides,’ ‘Lost in Translation,’ and ‘Marie Antoinette (2006).’ Each film delves into this enigma, forming a multifaceted frame of reference for a shared understanding.

Bad Girls and (Not-So)-Guilty Pleasures in ‘The Bling Ring’

So. Many. Shoes.

Coppola’s refusal to condemn, explain or apologize for her characters makes for a rather opaque experience. To state the obvious, these are not likable individuals. They exhibit no visible remorse for their crimes, seemingly oblivious to the concept of personal boundaries, and think about little besides fashion and D-list celebrities.

‘The Bling Ring’: American Emptiness

Cast of The Bling Ring This is a guest review by Marcia Herring. In discussions of Sofia Coppola, nepotism is a long-covered topic. Regardless of early exposure in her acting career, I have no doubt that Coppola has ultimately benefited from the privilege of being surrounded by famous company. Without Francis Ford or Roman or […]

Travel Films Week: Othering and Alienation in ‘Lost in Translation’

Written by Robin Hitchcock Charlotte (Scarlett Johansson) and Bob (Bill Murray) in Lost in Translation Sofia Coppola’s Lost in Translation is remembered mostly for the genuinely affecting romance between its leads Scarlett Johansson and Bill Murray, but it also offers a singular depiction of culture shock. Unfortunately, in representing the “strangeness” of Japan through the eyes […]

Women in Politics Week: Sofia Coppola’s ‘Marie Antoinette’ Surprisingly Feminist

Kirsten Dunst in Sofia Coppola’s Marie Antoinette This post by Megan Kearns originally appeared at Bitch Flicks on March 27, 2012. Many chastised Sofia Coppola’s re-imagining of Marie Antoinette. Some critics complained about the addition of modern music while others thought it looked too slick, like an MTV music video (remember those??). But I think […]

Biopic and Documentary Week: Sofia Coppola’s ‘Marie Antoinette’ Surprisingly Feminist

Kirsten Dunst in Sofia Coppola’s Marie Antoinette Many chastised Sofia Coppola’s re-imagining of Marie Antoinette. Some critics complained about the addition of modern music while others thought it looked too slick, like an MTV music video (remember those??). But I think most people missed the point. Beyond the confectionary colors, gorgeous shots of lavish costumes […]

Bitch Flicks’ Weekly Picks

It’s Time to Fucking Rally from Feministing: Stand Up For Women’s Health! Saturday, February 26th Foley Square, Across from the Court House in Lower Manhattan New York City 1-3pm  No Shocker–Hollywood Is Sexist and Ageist from Women and Hollywood: “Now long-time screenwriter Tracy Jackson (The Guru and Confessions of a Shopaholic) has divulged a few […]