After chronicling the clashes among family, football, and adolescence in ‘Bend it Like Beckham,’ Gurinder Chadha delves into similar territory with the ebullient coming-of-age tale ‘Angus, Thongs and Perfect Snogging.’ An adaptation of the 1999 novel ‘Angus, Thongs and Full-Frontal Snogging’ by the late Louise Rennison, the film tells the story of Georgia Nicolson, a teenager growing up in Eastbourne, England, whose entry into the world of romancing boys is as fraught and funny as you might expect.
These two women directors, Amy Heckerling (‘Clueless’) and Kelly Fremon Craig (‘The Edge of Seventeen’), use their films to give a focused examination on the insecurity and self-doubt teen girls face. Cher and Nadine’s personal struggles, as well as their relationships with older mentors, reveal how patriarchal expectations shape their lives as they come of age.
The point of the story is that, like so many vampires, he’s been transformed against his will into a creature he can’t quite make peace with. It’s an insight into vampires – backed by what seems to be an encyclopedic knowledge of how they have been portrayed in film – but just as interestingly, and perhaps more importantly, it’s an insight into how our experiences shape us; how early the die can be cast on the type of people we grow up to be.
Unfortunately, I don’t think these four “cold, intelligent women” are illuminating “problematic mechanisms of power” at all. Rather, they are expressions of the persistent distrust of female authority in our current culture. These characters serve as a type of sexist shorthand for a society gone terribly, terribly wrong.