Here are our top 10 most popular articles written in 2017.
Underwritten in this claim of selfhood, however, is a larger message. Each of the films and the TV series, to varying degrees, promote individuality over conformity. Eventually, each teaches viewers the importance of being true to yourself and avoiding the pitfalls of group mentality. …Each manifestation of the girl group trope proposes an affirmation of self-esteem, non-conformity, independence, and individuality.
Rochelle was the social outcast with the other handful of social outcasts of St. Bernard Academy, sure. But how do we cinematize the Black girl outcast teenager that many of us felt like? That just so happens to be a practicing witch? Much of what can be read of Rochelle relies heavily on those of us whom she meant so much to.
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The Craft presents a lesson that coming-of-age films don’t typically make a point to show. A ballot is cast for prom queen or SAT prep sits on the horizon with college days looming, a girl must get a boy to like her, losing her virginity in the process. But this film is about serving the self—the craft of empowering oneself to surmount the archaic persecutions against women—taking back the threat of female power. But like a genie in a bottle that allows three wishes, this craft must be practiced and understood, respected completely before it can be outwardly used, or else it will perpetuate transgression.
This is a guest post from Eli Lewy. Horror films are commonly seen as one of the most sexist film genres; utilizing the voyeuristic male gaze, objectifying the female body, and reveling in helpless women being victimized. I am not discounting these claims, but horror has the potential to be more than that: films which […]