The Fall

Call For Writers: Bisexual Erasure and Representation

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People who identify as bisexual are part of an often maligned group. Both straight and queer community members frequently express discomfort with the concept of bisexuality, feeling threatened by bisexuality’s refusal to fit cleanly into an either/or binary system of sexuality.

Gibson’s Gonna Be OK: The Comfort of Hypercompetent Heroes

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The lead character in BBC’s ‘The Fall’ is impervious to fear, but that’s OK. She’s doing the modern detective’s work of making us all feel safe in a world that’s anything but.

Bitch Flicks’ Weekly Picks

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Check out what we’ve been reading this week–and let us know what you’ve been reading/writing in the comments!

Gillian Anderson, Feminism, and BBC’s ‘The Fall’

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The most important thing The Fall is doing, though, is calling out misogyny. Yes, Gibson gets to hand it to Spector, the serial killer, labeling him a “weak, impotent” misogynist, but we already knew that. What I find more intriguing is the way the show implicates the police force and the audience itself for the casual misogyny, assumptions, and stereotypes that perpetuate victim-blaming.

In Praise of ‘The Fall’s Uber Cool Feminist Heroine: Gillian Anderson’s Stella Gibson

Detective Superintendent Stella Gibson (Gillian Anderson)

The Fall is one of 2013’s television success stories. The five-part BBC crime drama is a compelling, well-crafted production with a fine cast and a terrific lead performance by Gillian Anderson. Set in present-day Belfast–and also shot on location in the Northern Ireland capital–The Fall chronicles the police hunt for a serial killer of attractive, professional women in their thirties. It is created and written by Allan Cubitt–who scripted Prime Suspect 2 (1992, UK)–and directed by Jakob Verbruggen.