The Rocky Horror Picture Show

Blurred Lines: The Cinematic Appeal of Rape Fantasy


While Whore stigma is gradually declining, kinky desires remain stigmatized, especially in women. By vocally disowning that desire, “Madonna” Anastasia Steele qualifies herself to serve as an avatar for readers who struggle to acknowledge and integrate their sexual urges. The “displaced consent” model of rape fantasy may be recognized, and distinguished from the “sexual assawwwlt” model, by its masterful Ice Prince hero, whose full control is essential to eliminating the heroine’s responsibility.

Cult Truth: Why The Raunchy ‘Rocky Horror Picture Show’ is Hilariously Humanizing


When the movie begins we’re introduced to Brad, a hero (Barry Bostiwck) and Janet, a heroine (Susan Sarandon), two straight-laced representations of the all-American, white middle class Christian boy and girl who are suddenly thrown into a den of loose morals and provocative dancing. At all turns, we’re blatantly reminded of their status as a proxy for a nice boy and a good girl, and it’s reinforced with every cliché possible.

Women and Gender in Musicals Week: ‘The Rocky Horror Picture Show’ and the Pitchfork of Puritanism

The lips in the opening sequence–the biting action has sexual and fearful connotations. The cult classic film The Rocky Horror Picture Show, which was based off a British play of the same name, was released in 1975. At that point in American history, audiences (young audiences especially) were eager to have their boundaries pushed and revel in […]