Sisters in Catherine Breillat’s ‘Fat Girl’

Fat Girl

The core of ‘Fat Girl’ is these two girls, who contrast each other in some very essential ways, but are inexorably bound together by shared experiences. Both are adolescents grappling with the early throes of sexuality, but their divergent appearances and ages leave them in different positions socially, affecting their worldviews.

‘Dragonslayer’: A Disappointing Attempt to Update the Princess and the Dragon


‘Dragonslayer’ attempts to modernize the tale by diminishing the hero and splitting the princess into two women who are both brave at first glance, but it ultimately reinforces traditional roles. … Valerian’s fall from village leader (in disguise as a man) to hero helper, and finally damsel in distress that can only be rescued by the losing of her virginity (itself a patriarchal construct, often “used to control women’s sexuality”), is a particularly depressing character arc.

‘The Fosters,’ Sexuality, and the Challenges of Parenting While Feminist


In Stef and Lena’s case, they face the much more complicated question of how to talk to their kids about sex in a way that balances their feminist ideals of sex positivity with their parental need protect and discipline their kids. Two scenes in particular stand out to me as exemplars of the ways in which Lena and Stef strive to make sure their kids are not ashamed of their sexuality while simultaneously conveying the importance of being safe, ready, and responsible.

The Complex Masculinity of ‘Outlander’s Jamie Fraser

And he can wear the heck out of a kilt, ya ken?

It’s a surprising twist on the trope. Jamie is undoubtedly a force of man to be reckoned with, though the fact that he is a virgin and thus relatively inexperienced in terms of sex when he encounters Claire – the older, more experienced woman – attributes some unexpected “feminine” qualities to his character.

Satan in a Frilly Dress

Ana Patricia Rojo as Veronica in Poison for the Fairies

However, this form of social shaming does not seem to prevent some of his young disciples from subverting their supposed childlike innocence: when the town is suddenly riddled by mysterious and violent crimes, it is suggested that the children have something to do with it, their leader being Klara, a 13-year-old angel-faced blonde and the pastor’s eldest daughter.

Sex, Violence, and Girls in Pink Dresses: Thoughts on Prom Horror Flicks

Lola and Brent pose for twisted prom photos

Like most horror films, prom horror is about teenage girls and what they chose to do with their bodies. As a culture, it’s a topic we find truly terrifying.
We’re taught to think of prom night is an important moment, as a signifier for burgeoning, barely contained sexuality and transformation. It’s the night good girls become bad girls, shy girls reveal their hidden confidence, and ugly girls shed their glasses or comb their hair and look almost beautiful, imperceptible from their peers.

‘How to Lose Your Virginity’ or: How We Need to Rethink Sex

How to Lose Your Virginity promo.   Written by Leigh Kolb If you talk to a feminist for a significant amount of time, you’re going to hear about virginity–specifically the value placed on women’s virginity in our culture and the persistent virgin/whore dichotomy that places women in an impossible sexual bind (and not the good kind). The […]

Bitch Flicks’ Weekly Picks

Amber‘s Picks: Jon Avnet, Rodrigo Garcia Launch Web Series and Shorts to Explore ‘Female Characters’ from Thompson on Hollywood Woman with a Lens Restored: The Shirley Clarke Project by Manohla Dargis for The New York Times The Status of Women’s Film Festivals from Women and Hollywood Megan‘s Picks: How to Lose Your Virginity Documentary Project by […]