Erin Tatum

Why ‘The Bold Type’ Is Exactly the Feminist TV Show We Need Right Now

The Bold Type

The magic that has propelled ‘The Bold Type’ to the forefront of the TV summer landscape is, without a doubt, the depth and strength of the bond between the trio. … I just can’t overstate how lovely it is to see young women caring about each other unconditionally, through thick and thin. Strong friendships and more importantly strong writing, especially for female characters, doesn’t always have to rely on drama and conflict and rivalry. Sometimes all we want to see is women giving their friends a shoulder to lean on.

‘Glitter Tribe’ Reminds Us That Burlesque Is Far More Than Just a Peep Show

Glitter Tribe

‘Glitter Tribe’ (directed by Jon Manning) lays out the argument that neo-burlesque should be considered a bona fide art form within itself and the ensuing 75 minutes certainly make a compelling case. The beating heart of the documentary is evident in the profiles of several Portland-based dancers, who each derive a different meaning and perspective from their performances.

‘The Legend of Korra’ Caps Off Its Feminist Redemption in (Very Queer) Series Finale

Korra's making a comeback.

Once everything winds down, Korra has her final meaningful conversations with those closest to her. I bit my lip nervously as expressed her gratitude towards Mako for assisting her in the fight. After a reunion so late in the game, I fully expected everything to wrap up with a humdrum obligatory affirmation of heterosexuality.

Meg Griffin vs. Tina Belcher: A Feminist’s Take on Beanies and Butts


The primary difference between Meg and Tina is that Tina comes from a loving and supportive environment, whereas Meg does not. Tina’s parents accept her unconditionally, despite her displaying much of the same repressed eroticism as Meg. She writes “erotic friend fiction,” eagerly shares fantasies of dating an entire zombie football team at once, and does little to hide her attraction to the family dentist. Hell, her defining characteristic is an obsession with butts, an obvious manifestation of tween lust that has inspired a spectacular increase in pro-butt artwork across the internet.

‘My Mad Fat Diary’ and Finding Fat-Positive Feminism

My Mad Fat Diary title card.

The best shows are the ones that are silly enough to make us laugh, but deep enough to make us think. ‘My Mad Fat Diary’ strikes this balance perfectly in ways that are both clever and heartbreaking. The series chronicles the life of Rae Earl (Sharon Rooney), a snarky yet painfully insecure overweight teen, as relayed in her diary after a brief stay in a mental hospital following a suicide attempt. She begins the slow process of adjusting to life back in the outside world, forming new friendships and battling old demons. As an added bonus, the show could be classified as the fetal equivalent of a period piece, taking place in the mid-90s.

Why We Need to Stop Worshiping the Elusive Heteroflexible Femme

...or are you?

Queer inclusion has become downright trendy lately. Even Disney has jumped on the bandwagon. However, as we all know, just because a minority makes an appearance in the media doesn’t mean the mainstream won’t continue to compulsively shape their narratives. One thing show-runners can’t seem to get enough of is sad lesbians (and I say lesbians because according to most representation, bisexuality clearly doesn’t exist!).

‘Scarlet Road’: Sex Work and Disability

Scarlet Road promotional poster.

Mark says he wants a girlfriend and that although he understands Rachel is a sex worker, he likes that Rachel makes him feel as though he has a girlfriend. That’s an important distinction that the trailer conveniently cut out. People with disabilities are not children who form childish emotional attachments from fantasies. We understand reality, but that doesn’t mean we don’t want to escape it from time to time like everyone else.

‘Switched at Birth’ and Ableist Romance

Switched at Birth promotional poster.

It’s safe to say that you’d be hard-pressed to find a more disability-friendly show on television. That level of representation for disabled actors continues to be virtually nonexistent, not to mention fleshing them out as actual characters instead of forcing them to be background token minorities.

‘The Spoils of Babylon’: A Campy Parody of Every Miniseries Ever

The Spoils of Babylon promotional poster.

Again, I can’t underscore enough how awesome Wiig is as Cynthia. She is a grotesque caricature of a debutante gone wrong and I love it. Her melodrama makes her quite the scene stealer. Her failing in the background makes slow scenes much more entertaining. Plus Devon is kind of dopey, so we need Cynthia’s emotional instability to spice things up a bit.

Asexuality and Queerphobia in ‘Sherlock’

Sherlock promotional still.

Sherlock is a fantastic show. As you can probably guess, it’s inspired by the works of Sir Arthur Conan Doyle, but imagined in modern-day London. Benedict Cumberbatch’s Sherlock is arrogantly cerebral and painfully introverted, finding a perfect foil in the loyal and more rational ex-military doctor John Watson (Martin Freeman). Together, they form your classic unlikely pair that brings out all the best in each other, intensified by the adrenaline rush of high-stakes crime solving. The jokes are witty, the pacing is breakneck, and the emotion is genuine.

Friendship, Fandom, and Female Agency in ‘Lost Girl’

Lost Girl logo.

Supernatural shows and crime shows are a dime a dozen, but something amazing can happen through the fusion of the two. Putting a no-nonsense Action Girl at the center is just icing on the cake for Lost Girl, which has consistently managed to capture lightning in a bottle for four seasons.

Maternal Grief in ‘The Truth About Emanuel’

The Truth About Emanuel poster.

I have a thing for creepy/taboo relationships in fiction. All I had to hear was “baby obsession” and I was sold on The Truth About Emanuel. I’m also familiar with Kaya Scodelario from her Skins years and I was curious to find out if she had range beyond troubled teen queen. On that front I was a bit underwhelmed. Thankfully, the true focus of the story extended far beyond her.