Josephine Maria Yanasak-Leszczynski
The lineup included The Tiger Hunter, (directed by Lena Khan)… Light (directed by Lenora Lee and Tatsu Aoki), and Finding Kukan (directed by Robin Lung). … Depictions of stories that are absent from an experience that is generally thought to be collective is definitely the point of film festivals like the Asian American Showcase. The film offerings this year illuminated the immigrant experience as an American one. At the same time, the breadth of the experiences represented, while hardly a cohesive or even complete picture, offered nuanced views of stories never heard in textbook discussions…
One message reinforced in panels throughout the day — including the “Gender Identity: Understanding Through Art” panel earlier that morning — was best articulated by filmmaker Kellee Terrell: the need for diversity in film. The revelation of ‘Get Out’ sparked a conversation on representation, universal experiences, and relating to what’s on-screen.
Instead it mashes these together to legitimize the misogyny of historical witch trials. … Those hoping for a nuanced 1630s witch tale, beware: ‘The Witch’ legitimizes fear of feminine sensuality while simplifying powerful female denizens to devil-worshiping pleasure-seekers.
Rihanna’s video for ‘Bitch Better Have My Money,’ directed by Rihanna herself and the Megaforce team, is an intersectional feminist revenge horror masterpiece. This video also has a lot of people up in arms due to its supposed misogyny and definite violent imagery. However, many of its critics have missed the hard facts: for instance, there is very little on screen violence in ‘BBHMM.’ Yet its masterful use of suggestion and direct attacks on ideologies American society values make it an effective and affecting horror piece.