At the end of season 6, Gemma violently clashes the spheres of power. She’s in the kitchen. She’s using an iron, and a carving fork. Using tools of the feminine sphere, she brutally murders Tara, because she fears that Tara is about to take control and dismantle the club—the life, the style of mothering and living—that she brought home with her so many years ago.
And then I saw it–a film that extols the importance of female agency and sexuality with a healthy dose of raunch, a film that includes a sexually experienced and supportive mother, a film that celebrates female friendship and quotes Gloria Steinem, a film that features Green Apple Pucker and multiple references to Pearl Jam and Hillary Clinton.
Yes. This is it.
While they disrupt a game, we see footage of the cheerleaders and female entertainers dancing and performing for male audiences. There were numerous charges filed against the Femen activists after Euro 2012. The scantily clad women that were in those spaces specifically for the male gaze, however, were welcomed.
“Are women really going backwards going forward?”
The footage could be overwhelming (Goodman analyzed 500 films), but she presents it all in a way that leaves the viewer satisfied but wanting more information–just like a good documentary should.
Vilifying mothers is a national pastime. Absent mothers, celebrity mothers, helicopter mothers, working mothers, stay-at-home mothers, mothers with too many children, mothers with too few children, women who don’t want to be or can’t be mothers–for women, there’s no clear way to do it right.
These same voices weren’t heard or listened to in the various investigations conducted by the LAPD in the 1980s. The film tells the story of Enietra Washington, Franklin’s only known survivor. In 1988, after Franklin picked her up and attempted to kill her, she gave the police a description of Franklin’s car (an orange Pinto) and described his face to a sketch artist.
This moment, of course, is true beauty. They are vulnerable with one another, and that erases the walls that we constantly build up between generations, religions, and genders.
“I’ve been in the passenger seat for decades. It’s time for me to get behind the wheel.”
Claire is a horrible human being for many, many reasons–but her abortions aren’t included in those reasons. The show makes that clear.
These women are complex, if not likable, and that’s a good thing.
I said that I had hoped this year would be different. However, when the Academy announced its nominations, I was not surprised.