Thus, theatre erases the histories of People of Color in Europe by claiming that they use “colorblind casting” instead of just “casting” when they cast a Person of Color in a role that, historically, could have been a person of color. Meanwhile, TV and film European period pieces erase that history by Whitewashing it, not casting and thereby not providing employment to, or visibility and representation of, actors who are People of Color at all.
Check out all of the posts for our Movie Soundtracks Theme Week here.
Pitchy, breathy, raspy, screamy – all the notes are there as A-list Hollywood actors hurl themselves at the camera, relishing the chance to look and sound as ugly as their quasi-operatic characters feel. The soundtrack is probably not going to go on your iPod.
That said, there’s something amazing about the pitchiness / raspiness / screaminess / ugliness that serves to draw us in.
Ugly singing; ugly make-up. ‘Les Misérables’ is deservedly known as the film that tried too hard to bum us out, and Anne Hathaway is known as the actress who tries too hard to be liked. But, isn’t it nice, sometimes, when somebody makes an effort?
Did you miss these popular posts on Bitch Flicks? If so, here’s your chance to catch up. “Silver Linings Playbook, or, As I Like to Call It: FuckYeahJenniferLawrence” by Stephanie Rogers “Zero Dark Thirty Raises Questions on Gender and Torture, Gives No Easy Answers” by Megan Kearns “The Evolution of The Big Bang Theory“ by […]
2013 Oscar Week: Feminism and the Oscars: Do This Year’s Best Picture Nominees Pass the Bechdel Test?
Written by Megan Kearns. When people watch movies, they often think it’s just entertainment. That they don’t really matter. But media impacts our lives tremendously. Films reflexively shape and reflect culture. Feminist commentary is vital. It might seem like they don’t but the Oscars matter. The Oscars are the most visible celebration of filmmaking in […]
Guest post written by Natalie Wilson, originally published at Ms. Magazine. Cross-posted with permission. While Les Misérables is not your typical musical–or, as this Guardian review puts it, “There’s no dancing, there are no jazz hands and there is next to no speech”–it is typical of the genre in that, like opera, it includes more […]
2013 Golden Globes Week: ‘Les Miserables,’ Sex Trafficking & Fantine as a Symbol for Women’s Oppression
Anne Hathaway as Fantine in Les Miserables Written by Megan Kearns. Some writers, like professor Stacy Wolf, have enjoyed yet criticized the film adaptation of Les Miserables for not being feminist enough and turning the female characters into “bit players.” While others have lauded its feminism. Sure it irks me yet another film focuses on […]
Written by Leigh Kolb Feminist ethics typically defines feminist philosophy as focusing on morality and relationships and not just traditionally masculine justice. While Les Miserables features female characters who do exist largely to save men, this larger feminism vs. patriarchy dilemma is at work between the ideologies of Jean Valjean and Javert. A Washington Post writer bemoaned how anti-feminist […]
Anne Hathaway as Fantine in Les Miserables This post written by Robin Hitchcock previously appeared at Bitch Flicks on November 16, 2012 and was cross-posted at Women and Hollywood. Kale and dust. Hummus and radishes. Two squares of dried oatmeal paste a day. If you recognize any of these phrases, then you’ve probably been hit […]
Cross-posted at Women and Hollywood. Kale and dust. Hummus and radishes. Two squares of dried oatmeal paste a day. Anne Hathaway as Fantine in Les Miserables If you recognize any of these phrases, then you’ve probably been hit by the Anne Hathaway starvation-diet-for-her-craft marketing blitz. In the unlikely event that you haven’t heard about this […]